Spectre: the unraveling of a specter.

Spectre begins with a dire foreboding, the Day of the Dead in Mexico City, a culture seemingly grotesque. for the living enlivens the dead, in a peculiarly festive way.  Strange though it may be, it is a fitting opening, a foreshadowing of what is to come, for the world’s most famous secret service spy, his secret known to everyone, except perhaps, everyone who has lived with the MI6 for the past half century, has grappled as to why Bond was Bond,  a man alone unto himself.

The SPECTRE is a fictitious acronym which stands for Special Executive for Counter-Intelligence, Terrorism Revenge and Extortion, for the demise of the MI6 or the British Secret Service. For all intents and purposes, fault was assigned to the distinguished characters: M, Q, Moneypenny, and 007

And while the eradication of the secret service seems inevitable, a specter arises. A phantom. A ghost from Bond’s archrivals arises, too. A juxtaposition of two impending deaths: the secret service and Bond’s own.

Thus the cardiac high-action, sniping, bombing, and inverted helicopter flying, or falling. in  Mexico City, where the dead comes to life.

But all at once, the movie transports to holy Rome, the city that encapsulates the glory of the past. Bond follows another lead, and discovers that there’s more than meets the eye. But of course, that is always what Bond story lines are about. But the motion is set. Bond gets an eye view of who his nemesis are, even if it was a little obscured, or darkened.

There was a reference to Tokyo, an allusion that most likely implies how Bond’s every move is seen. Thus it was imperative that Bond himself was injected with a GPS. And in all the succeeding scenes, a specter follows.

At the icy Alpine Austria, Bond finds the daughter of an enemy, the enemy who was set to make Bond’s life miserable. The daughter is  a therapeutic doctor. and she brought Bond to her father’s honeymoon nook, the very same place that archived Bond’s story, from being an orphan, to a skill filled days cruising the mountains with his adoptive father,  to the disgust of his step brother.

In sharp contrast to the snowy mountains, Bond and the lady doctor were ushered into the center of an arid  desert, where a meteorite once landed to earth. And here Bond meets his step brother, the very same one who was reported to have died with his father in a snow avalanche. And all the past two decades, his step brother was scheming on executing his revenge on the orphan boy who found favor in the eyes of his father.

The step brother was the brainchild of SPECTRE, designed not just to have a domination of the world, but more importantly, to ensure the wicked end meant only for the boy with the blue eyes. James Bond.

So the story unraveled.  And 007’s story is now complete.

Daniel Craig essayed the James Bond role magnificently.  Gosh, he is so fit and agile. The curtain calls for a final vow for this actor, and the jalopy is definitive enough.

But gosh again, I have enjoyed Bond movies all my life, but Daniel Craig’s Casino Royale, Quantum of Solace, Skyfall, and Spectre gave the most profound and in-depth picture of the spy. He was a man, after all.

Licensed to kill? No, not at all. That was the spy bound by duty to pull the trigger. And that’s another point. Bond threw his pistol.  Definitive enough. He is licensed to kill no more.

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